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As its title suggests, this podcast-inspired production sometimes IS highly offensive
The improvised Jane Austen show returns and it’s a silly and chaotic and wonderful as ever
You’ll enjoy this old-fashioned American tragedy from the 80s more if you accept it as a period piece
Igor Memic’s remarkably assured Papatango Prize-winning debut recalls history that’s recent and raw
This is a bold work that focuses in a new way on the act of birth and the mad months that follow it, though it could be further refined
Born in Bosnia but raised in London, Igor Memic’s prize-winning debut play puts the untold stories of his war-torn home on stage
She’s play Rita Marley in a new West End musical, but Gabrielle Brooks has her sights to set on changing the theatre industry inside-out
There are three different plays fighting it out within Cordelia Lynn’s 90 minute work
It’s rare to see stories of motherhood on stage, but London is about to have two at once. The teams behind Milk and Gall and Mum talk about reinventing ideas about parenting, both through stories and behind the scenes
Chekhov’s bittersweet story belongs to the older generation
The themes of this experimental movie are deeply personal, the stars explain to Alice Saville
Suzan-Lori Parks’ award-winning play is stylised but compelling
The veterans of verbatim plays have turned their attention to the Grenfell Inquiry. They want to see justice done, they tell Nick Curtis
Ayub Khan Din’s tale of a 1970s Anglo-Pakistani family has dated a bit but the excellent cast has a great energy
Fresh from a standout role in Mare of Easttown, James McArdle is back on stage with a new spin on the Scottish play
There are contemporary resonances galore in the final instalment of Mantel’s Cromwell trilogy, now adapted for the stage
As her novel The Mirror and the Light hits the stage, Hilary Mantel talks breaks with Europe, Afghanistan and why there is still mileage in Thomas Cromwell
Jumbo’s fine performance is completely lacking in vanity, write Nick Curtis
It’s only 20 minutes long, but here’s the chance to see a truly uncompromising theatrical voice at the top of her game, writes Nick Curtis
Hearing the words ‘Jaaames Hewitttt’ sung in the manner of Meatloaf made me honestly wonder if I was on acid
Ben Daniels gives a star turn in Dominic Cooke’s moving revival of Kramer’s autobiographical drama, writes Nick Curtis
Curious has the same swagger and delight in language as the playwright’s hit debut seven methods of killing kylie jenner
The creators of this musical show admirable audacity, but the execution is poor, writes Nick Curtis
Brendan Coyle is excellent in Nadia Fall’s revival of Conor McPherson’s ghostly 2004 play
Aleshea Harris’s splashy revenge comedy is a blast, delivered with gusto by director Ola Ince at the Royal Court
A trio of short plays build an idiosyncratic portrait of immigrant groups in Brent during the 60s and 70s
Paula Vogel’s play about Yiddish culture, performance and censorship sometimes feels overdone, but tells an intriguing story
The Hollywood star said she is ‘honoured’ to be helping bring The Glass Menagerie to the London stage
Even the time machine’s a triumph in this larky musical version of the 1985 cult movie classic
This queasy comedy about three sisters waiting for their mother’s funeral is full of inconsistencies
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