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Theatre
<p>Ryan Calais-Cameron</p>
Theatre

Ryan Calais-Cameron on his West End debut: “I wrote out of my pain”

The writer and actor was shocked by the mental health issues in his old neighbourhood, and knew he needed to get it on the page. Next week the play opens in the West End

<p>From left, Madalena Alberto, Joaquin Pedro Valdes, Molly Lynch and Tim Rogers in Killing The Cat </p>
Theatre

Killing the Cat at Riverside Studios: brims with ideas but confuses

The cast boast brilliant musical theatre voices but the show is let down by the dialogue

Theatre

Black Superhero at the Royal Court: flawed but audacious and inventive

Actor Danny Lee Wynter’s debut play is lively, full of punchy dialogue and quippy one-liners

Theatre

Vault Festival celebrates a record breaking year

The landlord of the Waterloo tunnels has advised the leading London live performance festival to find a new home

Theatre

Streetcar’s Rebecca Frecknall on Paul Mescal, Cabaret and taking risks

Since her breakthrough show in 2018, Frecknall has gone from being virtually unknown to one of theatre’s most in-demand directors

Theatre

Brokeback Mountain to become West End stage play

The 1997 novel now becomes a play with music

Theatre

Marjorie Prime at Menier Chocolate Factory: Anne Reid is magnificent

Marjorie Prime offers stimulating ideas and some great acting, but it’s not a great play

Theatre

The Great British Bake Off Musical at Noel Coward Theatre: half-baked

This is low-level entertainment for the undemanding, with brainless characters and unremarkable choreography

Theatre

Podcast: Jenna Coleman on West End play set in a word-rationed world

Plus reviews of Sheridan Smith in Shirley Valentine, and Women, Beware the Devil

Theatre

Sleepova, Bush Theatre: you’ll fall in love with this exuberant show

A glorious young cast brings authentic energy to a coming of age tale of female friendship

Insider

Sex, violence and singalongs: how theatre crowds forgot how to behave

From musicals to Shakespeare, performances of all stripes are being interrupted by booze-fuelled and up-for-a-party audiences. So is good etiquette a thing of the past? Nick Curtis reports

Theatre

Oklahoma! at the Wyndham’s Theatre review: a rip-snorting triumph

This reimagining of Rodgers and Hammerstein’s 1943 musical is utterly thrilling

Theatre

Date announced for Ruth Wilson in The Second Woman

One woman, one scene, 100 men, one electrifying 24-hour performance.

Theatre

Haley McGee on her Soho Theatre show that took Edinburgh by storm

Age Is a Feeling became the break-out hit at the world’s largest arts festival

Theatre

Grenfell: System Failure. Scenes from the Inquiry: fills you with rage

This quietly devastating show feels real, and its unvarnished testimony is horrifically compelling

Theatre

Women, Beware the Devil at the Almeida review: a wild, slippery ride

The shape-shifting audacity of the play makes it exciting to watch, if ultimately baffling

Theatre

Romeo and Julie at the National Theatre : an enthralling love story

It’s a Sin’s Callum Scott Howells is intensely watchable in a performance that gives off a low-key Paul Mescal vibe

Theatre

Our pick of playwright James Graham’s ten best works

There are few playwrights doing it better than Graham

Theatre

Trouble in Butetown at Donmar Warehouse review: enjoyable hokum

The title, over-neat plot and overemphatic acting recall a charming postwar British B-movie

Theatre

Why we wrote our Grenfell plays - and what still needs to be done

As our second verbatim play taken from the transcripts of the inquiry opens, we find that little has changed. It’s time it did

Theatre

Sylvia at the Old Vic review - Beverley Knight is magnificent

The sheer charisma and vocal power of the leads transcend the more stilted aspects of this hip-hop show about the Pankhursts

Theatre

Standing at the Sky’s Edge at the NT review – stirring and moving

Defiantly wedded to Sheffield, this uplifting musical has a universal message about community and gentrification

Culture

Theatre Podcast: Rob Madge on My Son’s a Queer (But What Can You Do?)

Plus The Lehman Trilogy, and what do we really think of Titus Andronicus?

Future Theatre Fund

Our pick of the 50 best plays of the 21st century

The last two decades have been full of extraordinary theatre – it’s a thrilling indication of what’s ahead of us when doors reopen

Theatre

Aidan Turner on his new West End show and (not) returning to Poldark

‘When I get a job it always feels like a tiny miracle has happened’

Theatre

Linck and Mülhahn at Hampstead Theatre: gimmicky and self-conscious

The story and ideas should be compelling but the arch tone keeps the audience at arms length