William Luhr
William Luhr is an American film author and professor and the author of such works as Thinking About Movies: Watching, Questioning, Enjoying, World Cinema Since 1945: An Encyclopedic History and Returning to the Scene. He is also currently a professor of English at Saint Peter's University in Jersey City, New Jersey.[2]
Selected publications
[edit]- Authorship and Narrative in the Cinema: Issues in Contemporary Aesthetics and Criticism (with Peter Lehman, 1977)[3]
- Blake Edwards (with Peter Lehman, 1981)[4]
- Raymond Chandler and Film (1982)[5]
- World Cinema Since 1945: An Encyclopedic History (1987)[6]
- Returning to the Scene: Blake Edwards, Volume 2 (with Peter Lehman, 1989)[7]
References
[edit]- ↑ "Cinema Then, Cinema Now - The Tall Blonde Man With One Black Shoe". CUNY TV. Retrieved 2026-04-27.
- ↑ "Directory". Archived from the original on 2012-03-19. Retrieved 2011-09-10.
- ↑ Reviews of Authorship and Narrative in the Cinema:
- Callenbach, Ernest (Spring 1978), Film Quarterly, 31 (3): 63, doi:10.2307/1211736, JSTOR 1211736
{{citation}}: CS1 maint: untitled periodical (link) - Burdick, Dolores M. (April 1979), Performing Arts Review, 9 (2): 261–266, doi:10.1080/00315249.1979.9944240
{{citation}}: CS1 maint: untitled periodical (link)
- Callenbach, Ernest (Spring 1978), Film Quarterly, 31 (3): 63, doi:10.2307/1211736, JSTOR 1211736
- ↑ Reviews of Blake Edwards:
- ↑ Reviews of Raymond Chandler and Film:
- Orel, Harold (Spring 1983), American Studies, 24 (1): 112–113, JSTOR 40604889
{{citation}}: CS1 maint: untitled periodical (link) - Kawin, Bruce (Summer 1983), Film Quarterly, 36 (4): 32–33, doi:10.2307/3697100, JSTOR 3697100
{{citation}}: CS1 maint: untitled periodical (link) - Weis, René J. A. (April 1984), Journal of American Studies, 18 (1): 148–151, doi:10.1017/S0021875800018569, JSTOR 27554433
{{citation}}: CS1 maint: untitled periodical (link)
- Orel, Harold (Spring 1983), American Studies, 24 (1): 112–113, JSTOR 40604889
- ↑ Review of World Cinema Since 1945:
- ↑ Review of Returning to the Scene:
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